Sound Waves and Thought Currents: A Study of the Pop Music Reflection of Chinese Youth’s Values Since the Reform and Opening-up

Abstract

Since the reform and opening up, the evolving relationship between Chinese pop music and youth values has distinctly mirrored societal shifts. Pop music, as a central conduit of youth subculture, plays a pivotal role in shaping and reflecting youth values through its aesthetic and value-laden expressions. Utilizing Marxist value theory, in tandem with sociological and cultural research lenses, the trajectory from 1978 to 2023 can be segmented into four phases: Enlightenment and Awakening (1978-1986): This period underscores the shift from collectivism to a heightened sense of individual consciousness. Fission and Resistance (1987-1991): These years are marked by cultural critique and a rise in identity anxiety. Diversity and Return (1992-2011): This phase captures the dichotomy between globalization and local identity. Integration and Leadership (2012-2023): Here, we see the seamless merging of core values with multiculturalism. The thematic evolution and stylistic innovations in pop music consistently parallel the modern transformation of youth values. This musical metamorphosis resonates with collective emotional shifts during societal transitions and bolsters the emergence of cultural confidence. Looking forward, nurturing youth values will necessitate a multi-tiered educational framework, underpinned by mainstream value guidance, cultural carrier innovation, and collaborative institutional practices.